Copy Book Archive

Redeeming Time Pip Pirrip never misses a moment of visiting time with Abel Magwitch, the convict who made him into a gentleman, in the prison hospital.

In two parts

Set in 1828
Music: Sir Charles Villiers Stanford

© X7photo, Wikimedia Commons. Licence: CC BY-SA 3.0. Source

About this picture …

The old gaol at Lincoln Castle, with part of the Governor’s House and the wall of the exercise yard.

Redeeming Time

Part 1 of 2

Pip Pirrip has finally met the anonymous benefactor who made him a gentleman – a transported felon, Abel Magwitch, illegally back in Britain just to see him. But shock and disgust have given way to pity and respect; and now Abel lies in a prison hospital, unlikely to trouble the hangman, Pip never misses a minute of visiting hour.

“DEAR boy,” he said, as I sat down by his bed: “I thought you was late. But I knowed you couldn’t be that. God bless you! You’ve never deserted me, dear boy.”

I pressed his hand in silence, for I could not forget that I had once meant to desert him.

“And what’s the best of all,” he said, “you’ve been more comfortable alonger me, since I was under a dark cloud, than when the sun shone. That’s best of all.”

He lay on his back, breathing with great difficulty. Do what he would, and love me though he did, the light left his face ever and again, and a film came over the placid look at the white ceiling.

“Are you in much pain to-day?”

“I don’t complain of none, dear boy.”

“You never do complain.”

He had spoken his last words. He smiled, and I understood his touch to mean that he wished to lift my hand, and lay it on his breast. I laid it there, and he smiled again, and put both his hands upon it.

Jump to Part 2

Précis

Abel Magwitch’s gratitude to Pip Pirrip for visiting him in hospital makes Pip a little ashamed; he does not feel he deserves it. But if Pip was once less than gracious towards Magwitch, now he appreciates his friendship, making a point of never being late for visiting time, and bringing as much comfort as he can to the dying man. (60 / 60 words)

Part Two

© Dave Hitchborne, Geograph. Licence: Public domain. Source

About this picture …

A reconstructed prison cell in the old gaol at Lincoln Castle. The table is set up for the disagreeable task of teasing out rotten hemp rigging from ships, recycling the fibre for sale as stuffing for matresses. As the photographer explains, this is the origin of the expression, ‘money for old rope’.

“DEAR Magwitch, I must tell you now, at last. You understand what I say?”

A gentle pressure on my hand.

“You had a child once, whom you loved and lost.”

A stronger pressure on my hand.

“She lived, and found powerful friends. She is living now. She is a lady and very beautiful. And I love her!”

With a last faint effort, which would have been powerless but for my yielding to it and assisting it, he raised my hand to his lips. Then, he gently let it sink upon his breast again, with his own hands lying on it. The placid look at the white ceiling came back, and passed away, and his head dropped quietly on his breast.

Mindful, then, of what we had read together, I thought of the two men who went up into the Temple to pray, and I knew there were no better words that I could say beside his bed, than “O Lord, be merciful to him a sinner!”*

Copy Book

See Luke 18:9-14.

Précis

With Magwitch’s last moments clearly upon him, Pip decides he must now tell him a secret: that Estella, the love of Pip’s life, is in fact Magwitch’s long-lost daughter. By pressure on Pip’s hand, Magwitch signals his joy and happiness; and passes away in such innocence that Pip feels sure Magwitch’s criminal past will not count against him. (58 / 60 words)

Source

From ‘Great Expectations’ (1861), by Charles Dickens (1812-1870).

Suggested Music

1 2

Clarinet Concerto in A minor

2. Andante con moto

Sir Charles Villiers Stanford (1852-1924)

Performed by Janet Hilton with the Ulster Orchestra, conducted by Vernon Handley.

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Fantasy for Clarinet and Strings No. 1 in G Minor

2: Andante

Sir Charles Villiers Stanford (1852-1924)

Performed by Robert Plane and the Gould Piano Trio.

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How To Use This Passage

You can use this passage to help improve your command of English.

IRead it aloud, twice or more. IISummarise it in one sentence of up to 30 words. IIISummarise it in one paragraph of 40-80 words. IVMake notes on the passage, and reconstruct the original from them later on. VJot down any unfamiliar words, and make your own sentences with them later. VIMake a note of any words that surprise or impress you, and ask yourself what meaning they add to the words you would have expected to see. VIITurn any old-fashioned English into modern English. VIIITurn prose into verse, and verse into prose. IXAsk yourself what the author is trying to get you to feel or think. XHow would an artist or a photographer capture the scene? XIHow would a movie director shoot it, or a composer write incidental music for it?

For these and more ideas, see How to Use The Copy Book.

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