AS the belated traveller plodded up and down, a shadowy train went by him in the gloom which was no other than the train of a life. From whatsoever intangible deep cutting or dark tunnel it emerged, here it came, unsummoned and unannounced, stealing upon him and passing away into obscurity. Here, mournfully went by, a child who had never had a childhood or known a parent, inseparable from a youth with a bitter sense of his namelessness, coupled to a man the enforced business of whose best years had been distasteful and oppressive, linked to an ungrateful friend, dragging after him a woman once beloved. Attendant, with many a clank and wrench, were lumbering cares, dark meditations, huge dim disappointments, monotonous years, a long jarring line of the discords of a solitary and unhappy existence.
“—Yours, sir?”
The traveller recalled his eyes from the waste into which they had been staring, and fell back a step or so under the abruptness, and perhaps the chance appropriateness, of the question.
“Oh! My thoughts were not here for the moment. Yes. Yes. Those two portmanteaus are mine.”*
The story goes on to relate how Mr ‘Barbox Brothers’ goes on to use seven lines branching out from Mugby Junction to search for meaning in his life. The chapters that follow include Dickens’s famous ghost story ‘The Signalman’, and four tales by Dickens’s co-authors Charles Collins, Amelia Edwards, Andrew Halliday and Hesba Stretton.
Précis
A so far unnamed traveller steps off a train at Mugby Junction in the small hours, and falls to musing on his past in the form of an imaginary train of disappointments. His reverie is interrupted by a station employee asking him ‘Yours, sir?’, as if he could see the train, though he was asking about a pair of suitcases. (61 / 60 words)