Copy Book Archive

A Pledge to the People Edmund Burke pleaded with Parliament to emerge from behind closed doors and reconnect with the British public.
1780
Music: John Marsh

© UtDicitur, Wikimedia Commons. Licence: CC-BY-SA 4.0. Source

About this picture …

A statue of Edmund Burke silhouetted before the stone facade of Trinity College, Dublin.

A Pledge to the People
In 1780, Parliament stood accused of being out of touch. While MPs entertained generous lobbyists and rubber-stamped ever higher taxes, the country was governed by grossly overstaffed committees behind closed doors. Edmund Burke pleaded for a more direct, self-denying government, and urged the Commons to reconnect with the public.

LET the commons in parliament assembled, be one and the same thing with the commons at large. Let us identify, let us incorporate ourselves with the people. At present all is troubled and cloudy, and distracted, and full of anger and turbulence, both abroad and at home: but the air may be cleared by this storm, and light and fertility may follow it.

Let us give a faithful pledge to the people, that we honour, indeed, the crown; but that we belong to them; that we are their auxiliaries, and not their task-masters; the fellow-labourers in the same vineyard; not lording over their rights, but helpers of their joy: that to tax them is a grievance to ourselves, but to cut off from our enjoyments to forward theirs, is the highest gratification we are capable of receiving.

Source

From The Works of the Right Honourable Edmund Burke, Vol. 2 (of 12).

Suggested Music

Conversation Symphony in E flat for Two Orchestras (1778)

1: Allegro Maestoso - Allegro spirituoso

John Marsh (1752-1828)

London Mozart Players, directed by Matthias Bamert.

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How To Use This Passage

You can use this passage to help improve your command of English.

IRead it aloud, twice or more. IISummarise it in one sentence of up to 30 words. IIISummarise it in one paragraph of 40-80 words. IVMake notes on the passage, and reconstruct the original from them later on. VJot down any unfamiliar words, and make your own sentences with them later. VIMake a note of any words that surprise or impress you, and ask yourself what meaning they add to the words you would have expected to see. VIITurn any old-fashioned English into modern English. VIIITurn prose into verse, and verse into prose. IXAsk yourself what the author is trying to get you to feel or think. XHow would an artist or a photographer capture the scene? XIHow would a movie director shoot it, or a composer write incidental music for it?

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