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Muzio Clementi From performance and composition to instrument-making, Clementi left his mark on British and European classical music.
1752-1832
King George III 1760-1820 to King William IV 1830-1837
Music: Muzio Clementi

From Wikimedia Commons. Licence: Public domain. Source

About this picture …

Stepleton House near Blandform Forum in Dorset, home of Peter Beckford, was where a young Muzio Clementi received his musical education. He subsequently becoming one of the finest piano virtuosos of his day, earning the praise of Ludwig van Beethoven.

Muzio Clementi
Muzio Clementi (1752-1832) came from Rome to England as a boy, to become one of the most prolific of British composers, and an internationally respected teacher and performer. An able businessman, he also turned a bankrupt firm of London instrument-makers into a Europe-wide success.

PETER Beckford, on a visit to Rome in 1766, was so impressed with fourteen-year-old Muzio Clementi that he engaged him to play concerts at home in Dorset.

He also paid for his musical education, eight hours a day studying the music of Handel, Scarlatti and Bach. By 1780, Beckford’s protege was performing for Marie Antoinette in Paris.

The following year, Clementi shared a stage with Mozart, on whom he showered gracious praise. Mozart was less kind. But Beethoven was a lifelong admirer, recognising that Clementi set new standards for technique and emotional expression.

Back in London, Clementi set up in business as a piano-maker and music publisher, and coached pupils including John Baptist Cramer, Ignaz Moscheles and John Field.

Even in the age of Haydn and Beethoven, as a composer Clementi won respect; but as a popular conductor, celebrity teacher and astute businessman he became a London institution. Following his death on 10th March, 1832, he was honoured with burial in Westminster Abbey.

Précis

Clementi was born in Rome, but came to England aged fourteen. A gifted pianist, and toured the Continent, even playing alongside Mozart, and winning Beethoven’s admiration. In London, he enjoyed a high reputation as a teacher, composer, piano-maker and music publisher, and such was his standing that after he died in 1832, he was buried in Westminster Abbey. (57 / 60 words)

Related Video

After hearing this Sonata in Vienna in December 1781, Mozart sniffed that Clementi was a ‘mere machine’, but that did not stop him pinching the main theme from the first movement for ‘The Magic Flute’ ten years later. Here, the closing movement, a witty Rondo, is played by Vladimir Horowitz.

Note: The video gives this as Op. 47 No. 2. This sonata will most usually be numbered at Op. 24 No. 2 in B flat, as it is in Howard Shelley’s Complete Sonatas recordings, volume 3.

Suggested Music

Symphony No. 3 in G Major (‘Great National Symphony’)

2: Andante un poco mosso

Muzio Clementi (1752-1832)

Played by the Philharmonia Orchestra, conducted by Claudio Scimone.

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