Copy Book Archive

The Coronation of Henry IV On October 13th, 1399, Henry Bolingbroke was crowned King Henry IV of England in Westminster Abbey.

In two parts

1399
King Henry IV 1399-1413
Music: Queldryk and Anonymous (English)

From a manuscript of Froissart’s ‘Chronicles’ (?1470-72), via the British Library and Wikimedia Commons. Licence: Public domain. Source

About this picture …

The coronation of Henry IV, on October 13th, 1399, as depicted in an edition of Jean Froissart’s Chroniques published circa 1470-1472. Froissart (?1335-1404/10) was a Belgian chronicler and contemporary of Henry who spent several years in England, initially in the service of Philippa of Hainault, Edward III’s queen. By 1399, Edward’s grandson and successor, Richard II, had made himself so wealthy at others’ expense and so deeply unpopular, that he was pushed off the throne with relative ease by his cousin Henry IV, another of Edward’s grandsons, who required only a few hundred men for the purpose. William Shakespeare dramatised John of Gaunt, Henry’s father, bewailing the state of the nation: see ‘This England’.

The Coronation of Henry IV

Part 1 of 2

The reign of Richard II began with the Peasants’ Revolt, and by 1399 he had done little to win his unhappy people over. He had become both greedy and extravagant, and when the powerful Percy family in Northumberland encouraged Richard’s second cousin Henry Bolingbroke to claim the crown, he won it with only a few hundred men. On Monday October 13th, 1399, Henry was crowned at Westminster Abbey.

THE procession entered the church about nine o’clock. In the middle of the church was erected a scaffold covered with crimson cloth, in the centre of which was the royal throne of cloth of gold. When the duke entered the church, he seated himself on the throne, and was thus in regal state, except having the crown on his head. The Archbishop of Canterbury proclaimed from the four corners of the scaffold how God had given them a man for their lord and sovereign, and then asked the people if they were consenting parties to his being consecrated and crowned King, upon which the people unanimously shouted “Ay,” and held up their hands, promising fealty and homage.

The duke* then descended from the throne and advanced to the altar to be consecrated. Two archbishops and ten bishops performed the ceremony. He was stripped of all his royal state before the altar, naked to his shirt, and was then anointed and consecrated at six places: i.e. on the head, the breast, the two shoulders, before and behind; on the back and hands.

Jump to Part 2

* Froissart acknowledges that Henry is at this stage still Duke of Lancaster, and not yet ‘the King’.

Précis

In 1399, Henry Bolingbroke, Duke of Lancaster, was crowned Henry IV of England at Westminster Abbey. Chronicler Jean Froissart recorded the scene as Henry left his Palace and went to the Abbey, where he was proclaimed before the people, who acknowledged him as their lord, then stripped of his robes and anointed by the clergy. (54 / 60 words)

Part Two

By an Anonymous painter of the British School (?1618-20), via the Dulwich Art Museum and Wikimedia Commons. Licence: Public domain. Source

About this picture …

Edward ‘Ned’ Alleyn (1566-1626), a major figure in Elizabethan theatre and founder of the College of God’s Gift in Dulwich, owned this portrait of Henry IV among twenty-six royal portraits he gathered between 1618 and 1620. It was not taken from life, but apparently based on engravings in Henry Holland’s Baziliωlogia: A Booke of Kings, published in 1618. Henry owed his crown to the hard campaigning of the Percy family of Northumberland, but he subsequently disappointed them and in 1403 was forced to nip the Percy Rebellion in the bud. The execution two years later of the pro-Percy Archbishop of York, Richard Scrope, marked a sudden and dramatic decline in Henry’s health, and he died aged 46, after barely fourteen years as king, in 1413.

A bonnet was then placed on his head, and while this was being done, the clergy chanted the litany, or the service that is performed to hallow a font. The King was now dressed in a churchman’s clothes, like a deacon; and they put on him shoes of crimson velvet, after the manner of a prelate. Then they added spurs with a point but no rowel; and the sword of justice was drawn, blessed and delivered to the King, who put it again into the scabbard, when the Archbishop of Canterbury girded it about him.

The crown of Saint Edward, which is arched over like a cross, was next brought and blessed, and placed by the Archbishop on the King’s head. When mass was over, the King left the church, and returned to the palace, in the same state as before.

Copy Book

* Now Froissart calls Henry ‘king’, because he had been anointed after the manner of the Kings of Israel and Judah, though not yet formally crowned.

Précis

After his anointing, Henry was dressed in fine robes suitable for his coronation in the Abbey. To these, a knight’s spurs were added, and he was girt with a sword, blessed as a symbol of Justice. Then the crown of St Edward was set on his head, before Mass was sung and the new King returned to the Palace. (59 / 60 words)

Source

From ‘Readings in English Social History from Contemporary Literature’ Volume 2 (1272-1485) (1921), edited by Robert Burns Morgan.

Suggested Music

1 2

Gloria in Excelsis Deo

Queldryk (fl. 1400)

Performed by the Hilliard Ensemble.

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Transcript / Notes

Queldryk is thought to have been associated with the Cistercian monastery of Fountains Abbey in Yorkshire, and may be the Richard Queldryk who donated music manuscripts to Lichfield Cathedral.

GLORIA in excelsis Deo
et in terra pax hominibus bonae voluntatis.
Laudamus te; benedicimus te;
adoramus te; glorificamus te;
gratias agimus tibi propter magnam gloriam tuam.
Domine Deus, rex caelestis,
Deus Pater omnipotens,
Domine Fili unigenite
Jesu Christe, Domine Deus,
Agnus Dei, Filius Patris.
Qui tollis peccata mundi,
miserere nobis;
qui tollis peccata mundi
suscipe deprecationem nostram;
qui sedes ad dexteram Patris,
miserere nobis;
quoniam tu solus sanctus,
tu solus altissimus,
Jesu Christe,
cum Sancto Spiritu, in gloria Dei Patris,
Amen.

GLORY be to God on high,
and on earth peace, good will to all men.
We praise thee; we bless thee;
we worship thee; we glorify thee;
we give thanks to thee for thy great glory.
O Lord God, heavenly king,
God the Father almighty,
O Lord the only-begotten Son,
Jesus Christ, O Lord God,
Lamb of God, Son of the Father.
Thou that takest away the sins of the world,
have mercy upon us;
thou that takest away the sins of the world,
receive our prayer;
thou that sittest at the right hand of the Father,
have mercy upon us;
for thou art only holy,
thou only art most high,
Jesus Christ,
with the Holy Spirit, in the Glory of God the Father,
Amen.

Agnus Dei

Anonymous (English) (before 1420)

Performed by Gothic Voices.

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Transcript / Notes

Agnus Dei, qui tollis peccata mundi, miserere nobis.

Agnus Dei, qui tollis peccata mundi, miserere nobis.

Agnus Dei, qui tollis peccata mundi, dona nobis pacem.

Lamb of God, which takest away the sins of the world, have mercy upon us.

Lamb of God, which takest away the sins of the world, have mercy upon us.

Lamb of God, which takest away the sins of the world, grant us peace.

How To Use This Passage

You can use this passage to help improve your command of English.

IRead it aloud, twice or more. IISummarise it in one sentence of up to 30 words. IIISummarise it in one paragraph of 40-80 words. IVMake notes on the passage, and reconstruct the original from them later on. VJot down any unfamiliar words, and make your own sentences with them later. VIMake a note of any words that surprise or impress you, and ask yourself what meaning they add to the words you would have expected to see. VIITurn any old-fashioned English into modern English. VIIITurn prose into verse, and verse into prose. IXAsk yourself what the author is trying to get you to feel or think. XHow would an artist or a photographer capture the scene? XIHow would a movie director shoot it, or a composer write incidental music for it?

For these and more ideas, see How to Use The Copy Book.

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