Copy Book Archive

Music at Midnight To do one’s duty is to peep into the mystery of life, and taste reward from another world.
1871
Music: Alice Mary Smith

© David Dixon, Geograph. Licence: CC-BY-SA 2.0. Source

About this picture …

Dusk at Port Erin Bay on the Isle of Man, looking out across the Irish Sea.

Music at Midnight
Samuel Smiles closed his book devoted to character with a reflection on doing one’s duty — meaning neither the bare minimum required by law, nor slavish obedience to authority, but the mysterious, often elusive task which God has entrusted to each one of us.

THERE is much in life that, while in this state, we can never comprehend. There is, indeed, a great deal of mystery in life — much that we see ‘as in a glass darkly.’ But though we may not apprehend the full meaning of the discipline of trial through which the best have to pass, we must have faith in the completeness of the design of which our little individual lives form a part.

We have each to do our duty in that sphere of life in which we have been placed. Duty alone is true; there is no true action but in its accomplishment. Duty is the end and aim of the highest life; the truest pleasure of all is that derived from the consciousness of its fulfilment. Of all others, it is the one that is most thoroughly satisfying, and the least accompanied by regret and disappointment. In the words of George Herbert, the consciousness of duty performed ‘gives us music at midnight.’*

George Herbert (1593-1633) was a Welshman with a brilliant career in politics, poetry and the University before him, who decided to become a country vicar.

Précis

Samuel Smiles encouraged his readers to regard duty as life’s highest aim and most rewarding pleasure. To know that in doing one’s duty one is fulfilling the mysterious part given to each one of us by God, is to find meaning to trials that otherwise might seem to have none. (50 / 60 words)

Source

From Character by Samuel Smiles (1812-1904).

Suggested Music

Andante for Clarinet and Orchestra

Alice Mary Smith (1839-1884)

Howard Shelley with the London Mozart Players and Angela Malsbury (Clarinet).

Media not showing? Let me know!

How To Use This Passage

You can use this passage to help improve your command of English.

IRead it aloud, twice or more. IISummarise it in one sentence of up to 30 words. IIISummarise it in one paragraph of 40-80 words. IVMake notes on the passage, and reconstruct the original from them later on. VJot down any unfamiliar words, and make your own sentences with them later. VIMake a note of any words that surprise or impress you, and ask yourself what meaning they add to the words you would have expected to see. VIITurn any old-fashioned English into modern English. VIIITurn prose into verse, and verse into prose. IXAsk yourself what the author is trying to get you to feel or think. XHow would an artist or a photographer capture the scene? XIHow would a movie director shoot it, or a composer write incidental music for it?

For these and more ideas, see How to Use The Copy Book.

Related Posts

for Music at Midnight

Character and Conduct

Not Worth a Shilling

Jack Curran’s career as a defender of victims of political prejudice got off to a stuttering start.

Character and Conduct

An Unpopular Popular Reform

Statesmen promise to make the country a better place, but they never mention the one thing that would do some good.

Character and Conduct

Inordinate Saving

Samuel Smiles warned that taking care of the pennies should not come before taking care of living.

Character and Conduct

Dare to Be Yourself

Samuel Smiles warns us against pursuing popularity for its own sake, saying that it is a kind of cowardice.

Character and Conduct (105)
All Stories (1522)
Worksheets (14)
Word Games (5)