Copy Book Archive

The Summons Comes for Mr Standfast In John Buchan’s story about the Great War, Richard Hannay must watch as his friend sacrifices his life for the Allies.

In two parts

1919
King George V 1910-1936
Music: George Frideric Handel

© Pseudopanax, Wikimedia Commons. Licence: Public domain Source

About this picture …

A replica Royal Aircraft Factory SE5a at Hood Aerodrome in Masterton, New Zealand.

The Summons Comes for Mr Standfast

Part 1 of 2

In the Great War, RAF pilot Peter Pienaar endures being shot down, lamed and kept as a prisoner of war with the help of Bunyan’s ‘Pilgrim’s Progress’. He has been free only a matter of days when despite his injury he steals a plane to take out the Germans’ flying ace Lensch, by ramming him in mid-air.

THEY took Peter from the wreckage with scarcely a scar except his twisted leg. Death had smoothed out some of the age in him, and left his face much as I remembered it long ago in the Mashonaland hills.

In his pocket was his old battered Pilgrim's Progress. It lies before me as I write, and beside it — for I was his only legatee — the little case which came to him weeks later, containing the highest honour that can be bestowed upon a soldier of Britain.*

It was from the Pilgrim's Progress that I read next morning, when in the lee of an apple-orchard Mary and Blenkiron and I stood in the soft spring rain beside his grave.

Jump to Part 2

Hannay implies that Peter was posthumously awarded the Victoria Cross.

Précis

After his friend Peter, an RAF pilot, was killed in the Great War, Richard Hannay was present to watch him pulled from the wreckage of his plane. Peter left little in his Will except the Victoria Cross he was awarded for his self-scrifice, and his well-thumbed copy of Bunyan’s ‘Pilgrim’s Progress’, from which Hannay read at the graveside. (58 / 60 words)

Part Two

© Havang(nl), Wikimedia Commons. Licence: Public domain. Source

About this picture …

A First World War cemetery at Saint-Quentin in the Aisne department of Picardy, France. It was near here that the action of ‘Mr Standfast’ took place, during the German offensive ‘Operation Michael’, from 21st March to 5th April 1918.

AND what I read was the tale in the end not of Mr Standfast, whom he had singled out for his counterpart, but of Mr Valiant-for-Truth whom he had not hoped to emulate. I set down the words as a salute and a farewell:*

Then said he, ‘I am going to my Father’s; and though with great difficulty I am got hither, yet now I do not repent me of all the trouble I have been at to arrive where I am. My sword I give to him that shall succeed me in my pilgrimage, and my courage and skill to him that can get it. My marks and scars I carry with me, to be a witness for me that I have fought His battles who now will be my rewarder.’ So he passed over, and all the trumpets sounded for him on the other side.

Copy Book

The passage is taken from Part II of ‘Pilgrim’s Progress’ by John Bunyan (1628-1688). See Wikipedia: The Pilgrim’s Progress.

Précis

Hannay records for posterity the words he read at Peter Pienaar’s graveside, from his friend’s own copy of ‘Pilgrim’s Progress’. Peter had modestly identified with Mr Standfast, but it was the passage where Mr Valiant-for-Truth is welcomed with triumphant joy to heaven that Hannay recited that day. (47 / 60 words)

Source

From ‘Mr Standfast’ by John Buchan

Suggested Music

1 2

Joshua

Chorus: Father of mercy, hear the pray’r we make

George Frideric Handel (1685-1759)

Performed by the Hanoverian Court Orchestra and the Maulbronn Chamber Choir, conducted by Juergen Budday.

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Transcript / Notes

Father of mercy, hear the pray’r we make,
And save the hero for his country’s sake.

Joshua

Chorus ‘See the Conquering Hero Comes’

George Frideric Handel (1685-1759)

Performed by the Hanoverian Court Orchestra and the Maulbronn Chamber Choir, conducted by Juergen Budday.

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Transcript / Notes

Youths

See, the conqu’ring hero comes!
Sound the trumpets, beat the drums.
Sports prepare, the laurel bring,
Songs of thriumph to him sing.

Virgins

See the godlike youth advance!
Breathe the flutes, and lead the dance;
Myrtle wreaths, and roses twine,
To deck the hero’s brow divine.

Full Chorus

See, the conqu’ring hero comes!
Sound the trumpets, beat the drums.
Sports prepare, the laurel bring,
Songs of triumph to him sing.
See... da capo

How To Use This Passage

You can use this passage to help improve your command of English.

IRead it aloud, twice or more. IISummarise it in one sentence of up to 30 words. IIISummarise it in one paragraph of 40-80 words. IVMake notes on the passage, and reconstruct the original from them later on. VJot down any unfamiliar words, and make your own sentences with them later. VIMake a note of any words that surprise or impress you, and ask yourself what meaning they add to the words you would have expected to see. VIITurn any old-fashioned English into modern English. VIIITurn prose into verse, and verse into prose. IXAsk yourself what the author is trying to get you to feel or think. XHow would an artist or a photographer capture the scene? XIHow would a movie director shoot it, or a composer write incidental music for it?

For these and more ideas, see How to Use The Copy Book.

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